Table Of Content
Maybe there’s also something about vibration that would bother a hinged screen? This camera in stripped down form will spend time on drones, the outside of moving vehicles, etc. When uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data.
HyperDeck Studio HD Pro
‘Bugs is a unique project where Peter could try out the Blackmagic Pocket Cinema Camera 4K in the world of macro filmmaking. Los Angeles based Director of Photography, Vance Burberry recently shot this camera test using the new Blackmagic Pocket Cinema Camera 6K Pro. Shot as a dance promo for director, Cristina Piemonte, this project was all about difficult lighting conditions. ‘Through the Watchmakers Eye’ is a beautiful short about his father, who is one of the last master watch repairers in Holland. Sjoerd talks about shooting with the Blackmagic Pocket Cinema Camera 6K Pro, using a Mitakon 50mm cine prime and LAOWA 100mm lenses.
Attach to Cameras, Equipment Carts or Hang It Anywhere
You can select a clean feed, zebra, focus assist, frame guides and more. You can also set rotation of the screen, making Video Assist completely flexible in a variety of mounting situations. If you’re shooting with an anamorphic lens you can also set the de-squeeze for common formats such as 1.33, 1.66, 2.0 and more. Includes a 5" monitor, 6G-SDI and HDMI connections, ProRes and DNxHD file formats, histogram, audio meters, timecode and more. Video Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards.
The advanced operating system designed for film and television!
Customers can easily mount it on a range of camera rigs such as cranes, gimbals or drones. All this means customers can build the perfect camera for the any production that’s both rugged and reliable. The Pyxis captures to CFexpress cards or outputs over USB-C to an external SSD or over Ethernet. It uses Blackmagic's proprietary demosaiced and compressed 'Blackmagic RAW' format and can generate H.264 proxy files alongside. Turn URSA Mini into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.
Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future. On the Video Assist 12G models you'll be ready for the latest HDR workflows as they support the latest HDR standards and include an extremely bright screen with a wide color gamut. Plus the high brightness screen makes shooting outdoors in sunlight easy!
Blackmagic Audio Monitor 12G G3
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Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. This model has the features of ATEM Mini Pro plus 5 record streams for clean feeds of all inputs. A DaVinci project is saved for editing and relinking to Blackmagic RAW files for Ultra HD finishing.
You can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false color, frame guides, 3D LUTs and more. 3D LUTs support allows monitoring shots with the desired color and look, plus you can even "bake in" the LUT if you want to record it into the file. If you're using Blackmagic RAW, the 3D LUT is only added into the metadata so it can be disabled in post production. Blackmagic Video Assist models all feature 4 different types of professional scopes for technical monitoring and signal evaluation.
‘Balloons’ documents the camera’s performance from 5am in the morning into the height of the midday sun. John Brawley shares his experiences with the Blackmagic Pocket Cinema Camera 4K. ‘Models Walking at Night’ is his second camera test where he was checking out the camera’s higher dynamic range and color accuracy. Manchester based DP and camera operator, Dima Kalenda talks about using the Blackmagic Pocket Cinema Camera 6K and Blackmagic RAW for the first time. Dima wanted to use the camera with only one light source, relying totally on practicals for his late night shots.
Visual Effects, VR, 3D and Broadcast Graphics
Video Assist features a wide range of video and audio connections such as multi-rate SDI for SD, HD on all models and Ultra HD on the 12G-SDI models. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. All Blackmagic Video Assist models are packed with high end recording and monitoring features in a small, lightweight package that can be connected to virtually any camera.
You could increase gain and watch the waveform rise up towards the top of the scope. DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via a single RJ45 style Ethernet connection. It supports all 720p, 1080i and 1080p video standards up to 1080p60. Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. This extremely powerful Ultra HD model records and plays H.264/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60.
Full sized traditional QWERTY editor keyboard in a premium metal design. Featuring a metal search dial with clutch, plus extra edit, trim and timecode keys. Convert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.
The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Plus, with dual CFexpress slots, customers can keep recording because customers can hot swap full cards without stopping. The built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means customers can frame and focus their shots without needing to carry around a bulky external monitor.
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